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C. Debussy
C. Debussy
Artist: Fabio Bidini
Genre:
Music for piano
Category:
XIX Cent.
Composer:
C. Debussy
Supported languages: Italiano
Extended description:
He is capable of an admirably simplicity…truly touching.
Recital
Bernard Holland –New York Times, New York
Bidini sets the record straight
Bidini made me think, “Yes! This must have been what it was like to hear Beethoven himself improvise.”
Beethoven: Piano Concerto No.2
Dan Coren –Broad Street Review, Philadelphia
Sitkovetsky and his musicians meshed and wove about Bidini´s brilliant and sensitive playing of the solo. He produced a gorgeous and warm tone at all dynamic levels. There were no coarse-grained crashing fortes here! His melodic lines were seamless and his articulation was crystal clear. Bidini´s playing was an ideal alloy of power, poetry and style. In my memories of some thirty years of performances, this interpretation will join with one given by Claude Frank as a benchmark.
Beethoven: Piano Concerto No.5
William Thomas Walker – Classical Voice of North Carolina
Fabio Bidini began the Chaconne with full-bodied but lean tone, building the work with a stunning sense of drama and inexorability to a crashing ending, bathed in haunting, organ–like sonorities. … Bidini´s Chopin was bewitching, … his playing of the posthumus Nocturne evoked Maria Callas in Bellini, with its silvery shadings and beautifully sense of line and architecture.
Recital
Marion Lignana Rosenberg –New York, Newsday
The concert opened with Ravel´s jazz-influenced Concerto in G. Bidini, who has a wonderful technical command of his instrument as well as immaculate musical taste, gave an electrifying performance. He captured the volatile character of the outer movements with dazzling dexterity. But his true artistry came to the fore in the heavenly slow movement. The Italian pianist gave a sensitive reading that brought out the otherworldly beauty of the music with hypnotic power.
Ravel: Piano Concerto G-Major
Edward Reichel –Desert Morning News, Salt Lake City
…with the outstanding pianist Fabio Bidini as soloist…he has a simple , declarative touch that brings out the music´s feelings. His sense of tempo is clear, and he enunciates Mozart´s beautiful phrases with taste and poetry. The way he played the lovely theme of the Romanze – with no frills, and a few
of the embellishments that other pianists sometimes indulge in – it was heart melting. In other words, Bidini approached the music as someone should, as a cross between the classical and romantic styles.
Mozart Piano Concerto KV 466
Mary Kunz –Buffalo News, Buffalo
The concert highlight was pianist Fabio Bidini´s performance of the Ravel D-Major Concerto for the Left Hand, which had the dark textures and assertive outbursts that give this piece colour. Bidini´s playing had character, shape, distinction. Kogan and the orchestra were right there with him playing like chamber music partners.
Ravel: Concerto for the Left Hand
Paul Horsley –The Kansas City Star, Kansas City
Where to begin? With the story of the dazzling pianist Fabio Bidini, who four days ago had no idea that he would be in Greensboro?...And Bidini wasted no time getting to work, displaying his prodigious musical talents.
Yet even in this brilliant display, one could hear the elegance and the nuance that characterized the pianist´s performance throughout the evening. Concuctor Dmitry Sitkovetsky and Bidini had excellent communication throughout the work, and the result was a practically seamless union of solo and orchestra. If you attend only one GSO concert this year, this should be the one!
Beethoven: Piano Concerto No.5
Tim Lindeman –Greensboro
A dazzling soloist!
Pianist Fabio Bidini treated the “Rhapsody on a Theme of Paganini”, this eternal show-stopper, to a reading that was dignified and thrilling. He shaped each variation in such a way that its connection to the main thread was clear but its individuality remained intact. The technical display was a thrill. Bidini shot off musical fireworks at the upper end of the keyboard with rhythmic precision while keeping a firm left hand in the lower register. The tender variations, by contrast, were wonders of balanced pedaling.
Rachmaninoff: Rhapsody on a Theme of Paganini
Zachary Lewis –Sunday Patriot, Harrisburg
It was an honest performance that let the music speak for itself. Bidini wisely eschewed showmanship, instead focusing on clarity and delicate phrasing. Bamert and the orchestra gave sensitive accompaniment.
Beethoven: Piano Concerto No.3
Catherine Reese Newton –Salt Lake Tribune, Salt Lake City
Pianist Fabio Bidini delivered an impressive performance on Friday. Bidini´s excelled at Chopin´s singing melodic lines and feather light ornamental runs.
Chopin: Piano Concerto No.1
Ruth Bingham –The Honolulu Advertiser, Honolulu Hawaii
Bidini´s elegant technique and delicate tone were well matched by the orchestra.
Capriccio Brillante Mendelssohn
Richard Storm -Herald Tribune, Sarasota
Fabio Bidini knew how to make the piano sing!
…Fabio Bidini, a young man whose command of his chosen instrument was fabulous.
The Rachmaninoff Concerto No. 2 is a deservedly popular piece that, because of its popularity, can become too familiar to those playing it, resulting in very uninspiring performances: I am happy to say that was NOT the case Saturday. The performance we heard would rank among the very best. … It was a real privilege to hear Fabio Bidini play!
Rachmaninoff: Piano Concerto No.2
Jerry Stephens -The Vindicator, Youngstown
Bidini´s playing swept over any possible difficulties without a hitch and focused on the music´s charming mimicry. In response to enthusiastic applause, he closed the first half quietly, with a Chopin encore.
Dohnany: Variations on a Nursery song
Ruth O. Bingham –Honolulu Advertiser, Honolulu-Hawaii
Recital
Bernard Holland –New York Times, New York
Bidini sets the record straight
Bidini made me think, “Yes! This must have been what it was like to hear Beethoven himself improvise.”
Beethoven: Piano Concerto No.2
Dan Coren –Broad Street Review, Philadelphia
Sitkovetsky and his musicians meshed and wove about Bidini´s brilliant and sensitive playing of the solo. He produced a gorgeous and warm tone at all dynamic levels. There were no coarse-grained crashing fortes here! His melodic lines were seamless and his articulation was crystal clear. Bidini´s playing was an ideal alloy of power, poetry and style. In my memories of some thirty years of performances, this interpretation will join with one given by Claude Frank as a benchmark.
Beethoven: Piano Concerto No.5
William Thomas Walker – Classical Voice of North Carolina
Fabio Bidini began the Chaconne with full-bodied but lean tone, building the work with a stunning sense of drama and inexorability to a crashing ending, bathed in haunting, organ–like sonorities. … Bidini´s Chopin was bewitching, … his playing of the posthumus Nocturne evoked Maria Callas in Bellini, with its silvery shadings and beautifully sense of line and architecture.
Recital
Marion Lignana Rosenberg –New York, Newsday
The concert opened with Ravel´s jazz-influenced Concerto in G. Bidini, who has a wonderful technical command of his instrument as well as immaculate musical taste, gave an electrifying performance. He captured the volatile character of the outer movements with dazzling dexterity. But his true artistry came to the fore in the heavenly slow movement. The Italian pianist gave a sensitive reading that brought out the otherworldly beauty of the music with hypnotic power.
Ravel: Piano Concerto G-Major
Edward Reichel –Desert Morning News, Salt Lake City
…with the outstanding pianist Fabio Bidini as soloist…he has a simple , declarative touch that brings out the music´s feelings. His sense of tempo is clear, and he enunciates Mozart´s beautiful phrases with taste and poetry. The way he played the lovely theme of the Romanze – with no frills, and a few
of the embellishments that other pianists sometimes indulge in – it was heart melting. In other words, Bidini approached the music as someone should, as a cross between the classical and romantic styles.
Mozart Piano Concerto KV 466
Mary Kunz –Buffalo News, Buffalo
The concert highlight was pianist Fabio Bidini´s performance of the Ravel D-Major Concerto for the Left Hand, which had the dark textures and assertive outbursts that give this piece colour. Bidini´s playing had character, shape, distinction. Kogan and the orchestra were right there with him playing like chamber music partners.
Ravel: Concerto for the Left Hand
Paul Horsley –The Kansas City Star, Kansas City
Where to begin? With the story of the dazzling pianist Fabio Bidini, who four days ago had no idea that he would be in Greensboro?...And Bidini wasted no time getting to work, displaying his prodigious musical talents.
Yet even in this brilliant display, one could hear the elegance and the nuance that characterized the pianist´s performance throughout the evening. Concuctor Dmitry Sitkovetsky and Bidini had excellent communication throughout the work, and the result was a practically seamless union of solo and orchestra. If you attend only one GSO concert this year, this should be the one!
Beethoven: Piano Concerto No.5
Tim Lindeman –Greensboro
A dazzling soloist!
Pianist Fabio Bidini treated the “Rhapsody on a Theme of Paganini”, this eternal show-stopper, to a reading that was dignified and thrilling. He shaped each variation in such a way that its connection to the main thread was clear but its individuality remained intact. The technical display was a thrill. Bidini shot off musical fireworks at the upper end of the keyboard with rhythmic precision while keeping a firm left hand in the lower register. The tender variations, by contrast, were wonders of balanced pedaling.
Rachmaninoff: Rhapsody on a Theme of Paganini
Zachary Lewis –Sunday Patriot, Harrisburg
It was an honest performance that let the music speak for itself. Bidini wisely eschewed showmanship, instead focusing on clarity and delicate phrasing. Bamert and the orchestra gave sensitive accompaniment.
Beethoven: Piano Concerto No.3
Catherine Reese Newton –Salt Lake Tribune, Salt Lake City
Pianist Fabio Bidini delivered an impressive performance on Friday. Bidini´s excelled at Chopin´s singing melodic lines and feather light ornamental runs.
Chopin: Piano Concerto No.1
Ruth Bingham –The Honolulu Advertiser, Honolulu Hawaii
Bidini´s elegant technique and delicate tone were well matched by the orchestra.
Capriccio Brillante Mendelssohn
Richard Storm -Herald Tribune, Sarasota
Fabio Bidini knew how to make the piano sing!
…Fabio Bidini, a young man whose command of his chosen instrument was fabulous.
The Rachmaninoff Concerto No. 2 is a deservedly popular piece that, because of its popularity, can become too familiar to those playing it, resulting in very uninspiring performances: I am happy to say that was NOT the case Saturday. The performance we heard would rank among the very best. … It was a real privilege to hear Fabio Bidini play!
Rachmaninoff: Piano Concerto No.2
Jerry Stephens -The Vindicator, Youngstown
Bidini´s playing swept over any possible difficulties without a hitch and focused on the music´s charming mimicry. In response to enthusiastic applause, he closed the first half quietly, with a Chopin encore.
Dohnany: Variations on a Nursery song
Ruth O. Bingham –Honolulu Advertiser, Honolulu-Hawaii
Bidini made beautiful music, gliding easily across the keys, lightly when necessary, and with amazing grace. By the end of the third movement Bidini shone as a master of this work. His power on the keys…brought the crowd to its feet in admiration, we heard French music at its best!
Saint-Saens: Piano Concerto No.5
George Warren -The Fresno Bee, Fresno
Fabio Bidini´s Rachmaninoff was, in one word, gorgeous.
Rachmaninoff: Piano Concerto No.2
Mary Vendeventer –The Enterprise, Beaumont
Fabulous Pianist Fabio Bidini plays a triumphant Beethoven “Emperor” Piano Concerto.
Beethoven: Piano Concerto No.5
Jack Neal –Nevada
Bidini´s reading of Mozart´s last piano concerto benefits from great musicianship. It embraces elegance but isn´t enslaved by it. Listen, for instance, to the way he handles the slow middle movement; simple material comes to sound profoundly beautiful in the thoughtful weight he gives each note in the music´s line.
Mozart Piano Concerto KV 595
Ken Keuffel -Winston Salem
Saint-Saens: Piano Concerto No.5
George Warren -The Fresno Bee, Fresno
Fabio Bidini´s Rachmaninoff was, in one word, gorgeous.
Rachmaninoff: Piano Concerto No.2
Mary Vendeventer –The Enterprise, Beaumont
Fabulous Pianist Fabio Bidini plays a triumphant Beethoven “Emperor” Piano Concerto.
Beethoven: Piano Concerto No.5
Jack Neal –Nevada
Bidini´s reading of Mozart´s last piano concerto benefits from great musicianship. It embraces elegance but isn´t enslaved by it. Listen, for instance, to the way he handles the slow middle movement; simple material comes to sound profoundly beautiful in the thoughtful weight he gives each note in the music´s line.
Mozart Piano Concerto KV 595
Ken Keuffel -Winston Salem
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